Monday, January 27, 2014

Frankly, dreaming

My dreams these days seem universally anxious--not nightmares, but filled with somewhat mundane negative tension. I wish my dreams could be well…more "dreamy." Not to sound like the grumpy old guy, but I remember my younger dreams being more positive, more full of wonder, kisses, and lucid flight.

Frankly(!) I want my dreams to sound/feel/look like Frankie Rose's "The Fall"----percussionless, anchored only by a cello:

Frankie sounds like a night-gowned angel a la the kids flying to NeverNeverLand in Peter Pan. And though long-dead before the track was recorded I imagine Arthur Russell is on the cello and backing vocals. I don't know the inspiration behind this track, but it seems cut from the same ether as Arthur.

Maybe if I put this song on bedside repeat, it can slip into my dreaming subconscious.

Thursday, January 23, 2014

"Any Colour You Like"-- a rainbow across the snow

Currently we're digging out from the 8th biggest snowstorm in Philadelphia since 1884, so I'll dig out this frozen blog for a winter snowstorm flashback:

Early '94[?] we had a cluster of big storms in Central New Jersey causing icy roads and well over a foot of snow. School was cancelled for days on end and this triggered my first notable bout of depression. I felt incredibly lonely, and isolated from my few friends by undriveable hills and highways in the sprawl. My school was regional and Catholic, pulling students from a radius of 30, 40 miles. We were too young to drive ourselves and too far away from one another to walk. There were no "downtowns" to congregate in, only shopping malls and subdivisions. And for safety's sake, my parents were not going to help me get anywhere in this freeze. So I stayed home, alone.

And concurrently there was all my typical teenage upheaval and rumbling punkishness about to burst forth from inside. I felt nauseous, motion sick. Feeling I had no one to reach out to, my snowed-in "cry for help" was to wear the same outfit for a week (including a grey and white 1960s ski sweater handed down from my dad) and play Pink Floyd's "Any Colour You Like" on endless repeat at loud volumes on my bedroom boom box.

I'd recently been introduced to Dark Side of the Moon via the 20th anniversary edition, purchased from CD World at the Menlo Park Mall. Early on, the bargain bin Rock Giants by Peter Herring- already woefully out-of-date by the early 90s, guided my disc and cassette purchases. For the Floyd-curious the book recommended Dark Side and also Piper at the Gates of Dawn, which I'd also soon purchase to hear a seemingly different but equally great band. Already psyched by the wordless passages of the Grateful Dead, I naturally gravitated towards the Dark Side instrumental. "Any Colour You Like" seemed to capture my loneliness even better than any of the album's worded songs could. The layers of synths sounded to me like endless snow fields, and the FX'ed guitar sounded like a crying human voice. So I lay on my bed with the the song going over and over again and let my head spin:

No one in my small family noticed this indecipherable cry. "Any Colour You Like" truly sounded great to me, but by the 40th time through it began to feel masochistic. Still I pressed on, because no other song sounded right to me, I didn't know what else to do, and there was nowhere else to go. I don't know what I would've done if someone had actually knocked on my door and asked if I were okay. I also could've just told my parents that I felt like crap. They were reasonable people willing to listen. But I was a teenager, we needed drama and mystery to survive.

Eventually, the temperature outside warmed, road conditions improved, and I bucked up, turned the stereo off, and went back to school. A few years ago, I asked my mom about the incident and she had no memory of a week when one track could be heard repeating endlessly through my bedroom door. Now listening back to this tune, even when I'm feeling good, I'm tempted to hit "repeat" 5 or 10 times to briefly fall back into that awfully turbulent teenage state of mind, which I can now only visit through the warm prism of nostalgia.

Thursday, December 15, 2011

Vitapup- Syphilis

Soph year of high school, early 1995 or so, this was the first underground/punk-ish song that really grabbed me. I heard it on WPRB Princeton... (maybe "Hey You Kids Get Off My Lawn"?) and it led to me repeatedly calling in to request it with my cassette deck ready trying to tape it off the radio. While more off-kilter, this Vitapup track was my gateway drug to the glory of NJHC. Within a few months I was in basements and the Manville Elks seeing xBoundx, Shades Apart and Ensign. Finally found this 7" years later at Generation in NYC.

Friday, July 16, 2010

a new/old implication of poor time management

2010.04.11: Sunday afternoon played out like a slightly warped Sea & Cake tape from the early oh-ohs!.

Lazy & beautiful, with a tinge of ominousness, colored by the knowledge that there are real things I should be doing that I'm not doing, choosing instead to drift.

Monday, March 2, 2009

Phish is playing their first shows in 4 1/2 years this weekend.

Oh Honey, all the time I've wasted on the internet looking for tickets to Phish's 3 sold-out "comeback" shows this coming weekend at the Hampton Coliseum in Virginia. The tickets sold out immediately and while I tried valiantly, I wasn't one of the lucky ones. After sellout super-inflated tickets showed up on the internet . $500 and more for tickets face-valued at under $50.
(fyi: found this picture on the internet. I don't actually have tickets)

No way in hell would I pay that much for a ticket, especially for a band whose repertoire is based around improv. With Phish, it's kind of a crap shoot whether the band will be "on" or not, and of course the setlists and jams change every night. You never know what you're gonna get and that's half the fun. But it's a risk. It's a gamble. $500 could get me a lot of flubbed guitar-playing and forgotten lyrics.
But I'm always willing to wager face-value on a show because even an "off" show is a lot of fun for my ears, eyes, and dancing feet. And a show filled inspired jams and good set-construction can be transcendent!

I was lucky enough to get tickets to all 8 shows I want to go to for the band's subsequently announced June tour. But I got it into my head that I NEEDED to be at the Hampton shows . The thought of being there on Friday (March 6th )amidst an ecstatic crowd of 18,000 when the lights go down for the first time in nearly 5 years filled me with joy and excitement.

And there's nothing wrong with hoping that somehow a friend or a friend of a friend would offer me extra tickets to the shows. And there's nothing wrong with checking fan (or "phan") message boards for people looking to unload tickets at face value. And of course there's nothing wrong with checking Ticketmaster for unannounced re-releases of Phish Hampton tickets (tickets do often get rereleased for "sold out shows" as the show date draws near) But there IS something wrong with spending hours and hours each day trawling through the messageboards, asking and re-asking friends if they knew anyone with extras. And it definitely was wrong to check the Ticketmaster page 20+ times each day.

I became obsessive. It was no longer, "oh it'd be nice to get into these shows." It became I MUST get into the shows. A lot of time I could've been writing, making music, or just breathing deep and enjoying life was spent huffing, puffing and scheming vainly. The quest for Phish tickets became an easy way to self-sabotage. The endless red-eyed interneting got me nowhere except my desk chair, wearing out the cuhion, an animal ensnared in a net.

I felt very lonely by myself in my room refreshing pages. I looked for companionship on Phish fan messageboards, a bad place to hang out if one is looking for a sense of connection or a self-esteem boost. Sure the boards have some "normal"-acting friendly people who converse civilly, smiling in type in the same respectful accepting way they would if they were talking with you face-to-face. But the internet also provides a good mask. Viscious 16 year olds who have never seen the band before and bought their upcoming concert tickets using Mom's credit card can pose as veteran know-it-alls. These greenhorns can freely without repercussions unleash all the bile the net can bestow upon another person. Yeah it's only the internet. Yeah it's at least a full step removed from "real" life, but an online put-down still hurts. And somehow I took to heart the taunting of these online personae when they wrote that if I were a REAL fan, I would've already found a way to procure tickets to the comeback shows by now. Maybe so, maybe not.

This ticket obsession and message board time- sap almost made me forget two things:

1) Phish has thousands of hours of wonderful freely traded concert recordings I can enjoy any time i want. For a while I'd neglect to listen to he very thing that set off an obsessive spiral--- Phish's great live music! When I finally took step back and really listened to the band a few nights ago, I couldn't help but smile. The recordings will always be there for me. And while plenty of folks out there don't "get" Phish, I do and I can't help but feel a little lifted when I hear them.

2) I AM seeing Phish 8 times this summer. That's a lot of potential for great improvisations, oddball cover tunes, fist-in-the-air sing-alongs, whirling dervish dancing, and general merriment and/or as music as a spiritual enlightenment that escapes words. I was lucky enough to be able to obtain tickets to all these quickly sold-out performances, and was able to afford the not-so-cheap tickets ($50 for each ticket) and all the associated travel costs, and I will be able to take the time off to travel as far out as Alpine Valley, Wisconson to see the band. All this is a lot more than can be said for other fans. I'm sure many other Phish lovers got shut out of tickets, couldn't afford tickets, or couldn't take the time off to travel to an out of town concert ( there are NO shows currently scheduled for the South West or West Coast)

I won't say it's wrong for me to still wish for a miracle to happen to get me down to Virginia and in the door for the shows on March 6th, 7th, and 8th but I now think it's pretty selfish to think that I somehow need to be at the shows or deserve to be at them because of my fairly hardcore fan status.

Patience, dear Sebastian! In three months you WILL be seeing a slew of Phish shows and through the magic of modern technology you'll probably be able to download recordings of the Hampton concerts less than 24 hours after they happen.

I'm getting excited!

And here's an example of the very thing that gets me excited. Here's a clip of Phish playing "Piper"- one of my favorite songs--live in Vegas on Feb 16 2003:

Wednesday, February 18, 2009

Dancing Queen

"Dancing Queen" by ABBA is a song I love and fear.

It's undoubtedly a great dance song, completely overplayed and ABBA's greatest hit among a slew of hits.

For me, it's also the trigger for a lot of college memories and often the sign of a technological malfunction.

The song is tied to college for me firstly because it played during a painfully awkward orientation day the first week of first semester August of 1997. St. Joe's University bused us freshmen out to some YMCA-ish campground called Hawk Mountain, at Pottsville (home to Yuengling Brewery) an hour or two outside of Philly.

In hindsight, I shouldn' have gonet. The orientation was optional, but strongly recommended. I should've just wandered the near-empty campus instead. But I was hungry to meet people. The icebreakers and activities of the day seemed like they might provide an opportunity to meet some like minded punk/hardcore kids. Though of course the handful of punks were smart enough to spend the day elsewhere. So I boarded one of the chartered yellow school buses and began looking for patches and punk/hardcore t-shirts. I don't think I found any.

The Hawk Mountain day revolved around a lot of forgettable mixer activities, that involved small groups sitting in circles exchanging info. Most people however seemed to quickly give up on the activities and just sniff out their own kind. The high school caste system was still alive, though taking its final breath. The jocks found each other, so did the chess club kids. I mean, it wasn't completely groupings by the high school movie stereotypes, but without classes having begun yet and without having mixed yet with upperclassmen, it still felt like the society of high school.

There was a pool at the camp, domineered by beefy former football and future fratboy types showing off on the diving board. I made the mistake of going for a dip. I climbed to the top of the diving board ladder and stood there for a second. A few of these fratboy/football types were sitting in poolside chairs shouting negative things at me. I really forget wha,. but it wasn't personal. They were shouting at each and every person who climbed to the diving board. But of course it didn't make me feel any better about myself. I felt really scrawny and naked. I'm a naturally thin guy to begin with and still echoing in my head from sometime in high school was my Dad's remark when he saw me walking around the house with no shirt on:
"Jesus, son, you look like a concentration camp victim!"
So there I was on the diving board, getting harassed by the meaties and feeling very alone. I'd made no friends yet, so no one was there to comfort me. I knew at that point that trying to dive was a mistake, but I also knew that climbing backwards dryly down the ladder was an even greater mistake, sure to elicit a barrage of stinging comments from the poolside athletes. So I quite literally took the plunge. The water was cold, not at all refreshing. I made it to the shallow end, got out, dried off, and quickly walked away.

So far this has nothing to do with "Dancing Queen," I know. But to cap off the day, before busing us back to campus there was an outdoor dance. It was probably just like a Catholic high school dance with some middle-aged DJ playing relatively clean songs and the boys standing off to the side while the girls danced with each other. I don't remember a damn thing about it except that "Dancing Queen" was played.

Right when the song started, this tall beautiful blond guy next to me, Tim I think was his name, clapped his hands together and said "ooh 'Dancing Queen'. I lovvvve this song!" This Tim guy looked like one of those arrogant pretty boys you might see in a black and white full-page denim ad on the inside cover of the New York Times magazine. A group of girls was fanned out around him. I didn't know him, but I hated him already. He wasn't afraid to dance and already had a bevy of admirers. And I thought he was gay. As a product of a lifetime of Catholic School education and years away from my own post-college kissing of boys, I was still mildly homophobic.

That orientation dance was the first time I remember taking notice of "Dancing Queen". I'm pretty sure I'd heard it before then, but it struck me at that dance what a great song it was. It had a great beat and seemed so melancholy when applied to my life at that point, on that very day, standing alone and barely dancing on some outdoor basketball court.
"You can dance, you can jive, having the time of your life!" I could but I didn't and at the time just wanted to be in my dorm room alone. The only thing that rang true about the song as applied to my life was "young [and sweet], only 17." I wouldn't hit 18 and nominal adulthood until the end of September that first semester.

Hearing that song brings the whole day back to me. It was dreadful to live through, but it's pretty amusing to me in hindsight.

"Dancing Queen" also makes me think of Liz O. She's now engaged and soon to be married, but she was a long standing crush of mine in college. She was tall, atypically pretty, skilled in sarcasm and a delicious nerd. She was the kind of girl who'd spend extra time in the library researching something that came up in a casual conversation totally unrelated to any class she was taking. She loved learning for the sake of learning and I found that dreadfully attractive. My interest was unrequited though. We became pretty good friends but the one-sided romantic interest was always a source of tension. I first met her on some sort of weekend spiritual retreat sponsored by the school that first semester. It was a Jesuit university and at the time I was still quite into Christianity. Somehow we got talking about "Dancing Queen" and she said that during the summer that had just ended, it was her theme song when she went dancing "down the shore" near her family's New Jersey beach timeshare. She said it was her theme because she was indeed, "young and sweet, only 17." She was one of the youngest freshmen, not hitting 18 til November or December of first semester.

In the song, the "Dancing Queen" is a "teaser [who] turn[s] 'em on." Liz definitely never teased me on purpose. She was pretty clear about "liking me as a friend" but I teased myself into thinking she might become interested in me and it turned into a sweet torture that lasted through senior year.

Also that fist semester I made a mixtape from CDs I borrowed from folks on my dorm floor. And sure enough, "Dancing Queen" was on there. I think I taped it off my roommate Dan's ABBA Gold CD. It was his favorite CD next to Fleetwood Mac's Rumors . I haven't seen him since graduation, though college acquaintances tell me Dan came out of the closet and was last known to be happily living with an older guy in Philly's "Gayborhood." I haven't verified this but of course it is the stereotype that only gay guys love ABBA.

A couple years ago, I ripped my own copy of ABBA Gold from a friend's collection. The album starts off with "Dancing Queen" and coincidentally ABBA is the first group alphabetically in my itunes/iPod. So "Dancing Queen" song #1. My first iPod was an old ailing hand-me-down unit that had a number of problems. It would often freeze without warning. A series of smacks and switching it on/off/on/off would eventually get it working again but it'd usually reset itself, abandoning the song that was in progress and going right back to to the first song in the music library, "Dancing Queen." Hearing that descending piano run intro would always remind me that my music player wasn't long for this world.

My iPod eventually did crap out. My new one has worked very well, though occasionally there's an inexplicable freeze up or buttons pressed that don''t seem to do anything. The only thing that always seems to work is going to the beginning of the library and it's "ohhhh-woah-ohhhh, oh-woah, oh-woah-woah-woah" intro that all at once gets me angry at technology, melancholy about Liz, and laughing at my freshman awkwardness.

Sunday, December 21, 2008

the Led Zeppelin reunion, now a year past.

By looking through past entries, you can probably guess that I'm a big Zeppelin fan. That's an understatement.

Well we just passed the one year anniversary of the most import Zep-related thing to happen during my time as a fan: the Dec 10, 2007 reunion of the surviving members with Jason Bonham (son of the departed John) sitting in on drums. It was the first full concert the band gave since 1980. I've had an audio bootleg of the show since about a week after it happened, but just recently I downloaded a full video of the concert.

I really really enjoyed watching a DVD bootleg of the whole LZ 2007.12.10 performance. Of course I'd heard 4 different versions of the audio numerous times over the last year and I knew where the band excelled and where they faltered a bit in the performance. But it was fantastic actually seeing the whole thing for the first time earlier this month. I was totally sucked in!

I sat transfixed in my kitchen with my ear-eatting Sennheiser headphones on watching the whole thing on my laptop as the hour grew very late. I didn't finish the 2 hour show until nearly 3AM and had to work the next morning, but I couldn't pull myself away until the absolute last frame.

The 4 men on stage really sounded like Led Zeppelin, but a sort of nervous and very human Zeppelin. They didn't come across like the flashy, cocky rock gods of the 70s. From their body language it seemed they knew how important it was for their legend that they nail this performance (since the two 1980s sets were crap*) They seemed to be really concentrating, almost holding their collective breath. But every now and then, they'd loosen up and smile-- often when everything fell exactly into place for a few minutes or seconds and it sounded like 1973 all over again. It was in these moments of confidence that the old rock star moves would peak out a bit. Page or Plant would do a little flourish that called to mind the constant onstage dance of their heyday.

Watching the DVD I KNEW it would turn out okay, but it almost felt like I was there and the show was happening in real time. In the moments when they were a little less than together I felt nervous for them, thinking absurdly "come on, guys hold it together. Regain your footing!" The sound came from the best AUD sources (and actually gave you a few difference audio mix options like a REAL DVD release) and the picture came from 13 different sources mixing close ups, some BBC pro-shot stuff, and distant shaky camera phone style shots. The angles came from all over the vast venue so I really got a sense of the physical space of the show.

This is perhaps the best performance from the reunion. I never would've guessed this song would be included in the set.:

Watching this set, nearly fulfilled a dream for me: seeing a Led Zeppelin reunion in person. I became a fan in 1990, just after the second LZ reunion set and all throughout junior high I dreamed of them playing together again. I wrote about Zeppelin whenever I could in our daily "theme" pieces for English class. And once there was an assignment to design a poster for a pretend school concert. Well I figured that if the concert wasn't real then I could delve deep into fantasy and designed a poster for the 1990 reunion performance of Led Zeppelin at the Immaculate Conception Grammar School Gym in Somerville, NJ. It had "Led Zeppelin is BACK!" on the top and a drawing of Jimmy Page bowing his guitar a la 'Dazed & Confused.' I was very proud of my work, but when the assignment was handed back to me, written in red across the paper in my teacher's hand was "This is NOT what I meant!"

Oh well.

*( I blame the failure of the Live Aid July 1985 performance wholly on the presence of Phil Collins. He's an easy target. As for the 1988 set, it was marginally better but Jimmy Page was out of tune and out of sorts...)